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Prints
Print of Corollaries 2
Print of Corollaries 1
Print of Bon Iver Album Art
fuzzy hold on the cycle with no mouth to name
Bon Iver, Bon Iver Album Art
slid down my front as the rust from lands new soaking
otherworldly: optical delusions and small realities @ Museum of Arts and Design, New York, NY
Lubomyr Melnyk: Corollaries
all of your diamonds slipped green points into the ease of not knowing
accessing the older vignettes manipulated by desire
Seed
from above, what had been hidden by the landscaping of adversion
part of a twisting i built into a new narrative of protection
diverted from the valley and restored for your holiday
broken along the rolling with our disc turning you under
In pause of exploring your preserved places
McSweeney’s Quarterly Concern #43
meaning i learned my false floating from propped up modes
in what’s falling i found familiar
assessing your inability to predict the stability
Bon Iver Singles
MN Beatle Project Volume 4
corollaries 1
corollaries 2
Something slow and grown white with ease
Drop Surface Layers Pushed Ground Further From My Face
I imagined soft decay hiding in the scenic turning
Everything falling through and a window view
I built bridges over something selling desire’s terrain
I know your fences are pools passing through meaning
What I found at the falls was caution’s release on the land
Laid Down & Wiped Away Slowly
Mineral
unable to walk above my knowing
Minnesota
monoprint 3
monoprint 4
Capture 4
torn from the making of knowing’s vista
my lines push through the grid and evaporate on the over under
my possible bending retreated with what was taken yet unused
Holding even what was absent in stillness and topography’s remainder
put my pressing into a ravine where i paused to return year after year
Surrounding my hands in the stains of warm sinking
real, natural and unsustainable: joseph gross gallery @ the university of arizona tucson
small worlds @ the toledo museum of art, Toledo, OH
suspened in variety and tied to everything beyond the machine
my bare foot adds the soft bridge to sky’s repeating
then wanting came to mean touching without (the land) was normal
there are paths in place to prevent your dreams of a succession story
as if muting the land was part of knowing
There’s No Place Without Foam
It took something local to support the fiction
what kept you at bay allowed me to feel this way
what clouded my receiving hand is the way I own sensation
Silhouette eroded the name from boundary’s placeholder
Patterns of my own acceptance became making
wild & away #2
wild & away #3
wild & away #1
wild & away #4
Bent around the making of land’s new use
Capture 3
The harrow held stillness on the crest
New vista for techtonic softness
Development Lines
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